DEVELOPED BY K11 IN COLLABORATION WITH THE WORLD’S LEADING MUSEUM – THE V&A AND AWARD-WINNING PRODUCTION DESIGNER WILLIAM CHANG SUK PING
THE LOVE OF COUTURE: ARTISANSHIP IN FASHION BEYOND TIME
OPENS AT K11 MUSEA ON 8 DECEMBER, 2022
HONG KONG SAR – Media OutReach – 2 December 2022 – Following its smash debut in 2021, K11’s annual celebration of legendary craft is making a triumphant return to Victoria Dockside on 8 December 2022. Curated under the theme The Love of Couture: Artisanship in Fashion Beyond Time, the exhibition will open with K11 NIGHT, presenting a magnificent collection of historical fashion gems from London’s Victoria and Albert Museum (the V&A), while also spotlighting six of East Asia’s most promising young fashion designers.
Industry Heavyweights Bring Expert Curation
Masterminded by internationally renowned and award-winning Hong Kong Production Designer William Chang Suk Ping and experts from the V&A, the exhibition sets out to bridge Western European traditions with eastern innovation, paying homage to the extraordinary creativity, rich history, refined craftsmanship and boundless possibilities of couture.
Titled The Love of Couture: Artisanship in Fashion Beyond Time, the ambitious sophomore exhibition is conceptualised with the mission to explore the evolution of fashion across time and space, and to celebrate artisanship and the next generation of designers. To accomplish this, K11 has joined hands with the V&A to assemble a team of revered industry veterans and talented rising stars for an unprecedented cultural exchange between east and west.
“Fashion throughout history is reflective of how traditions, craftsmanship, creativity and societies continue to evolve”, said Adrian Cheng, Chair of K11 NIGHT. “I am thrilled to present this exhibition in collaboration with the V&A and work with our brilliant designers who have all in their own individual way, reinvented and modernized history with their unique perspective and talent. This collaboration truly reflects my mission to create a deeper cultural exchange between east and west by providing a platform for next generation talent.”
Serving as the Production Designer of this year’s exhibition is William Chang Suk Ping. An Oscar nominee and bona fide art virtuoso, Chang has enjoyed an illustrious career where he applied his visual genius to areas ranging from visual and costume design to film editing and production. He is joined by seasoned fashion and textile experts from the V&A, the world’s leading museum of art, design and performance, and six emerging fashion designers from Japan, South Korea, China and Hong Kong, as they embark on a time-bending, boundary-blurring couture journey of reminiscence, reimagination and fearless innovation.
K11 NIGHT Dazzles with Star Power
This year’s exhibition will kick off with the invitation-only K11 NIGHT 2022 opening gala at Victoria Dockside on the evening of 3 December 2022. The exclusive event is a who’s who of A-list entertainers, fashion icons, artists, cultural pioneers and socialites. A gold carpet will roll out along the Avenue of Stars, with the stunning view of the Hong Kong skyline and Victoria Harbour providing a picture-perfect backdrop for celebrity guests to showcase their passion for high fashion and personal interpretation of this year’s theme, Couture with Love.
The event is organised in partnership with official automotive partner BMW, beverage sponsor Moët Hennessy Diageo and event and exhibition title sponsor UBS. Powered by glitz, glamour and electrifying couture creations, K11 NIGHT 2022 is poised to solidify its stellar reputation as the most coveted fashion-cultural event on Hong Kong’s social calendar.
A Cinematic Story about the Love of Fashion, Artisanship and Creativity over the Centuries, as Told by William Chang Suk Ping
Chang’s visual genius ranges from set and costume design to styling and film editing. Drawing inspiration from the Nobel Prize-winning author Derek Walcott’s poem, Love After Love, Chang then spins the exhibition concept with his mastery and paints a picture depicting how designers’ and makers’ passion for couture, artisanship and creativity can be carried on century after century.
“This exhibition is driven by imagination, creativity, and passion. Seeing how these designers have reimagined centuries-old craft and techniques has been truly inspiring, and provided me with a wonderful canvas from which to create and design,” said Chang.
From staging, lighting, venue background music, showcase curation, exhibition visuals and videos to storytelling, Chang has infused this project with his poetic and romantic style. Visitors will embark on a journey of imagination through the stylistic choice of Chang, as if they are living in one of his movies, while feasting their eyes on the extravagance of each exhibit. All furnishings were specially produced for this exhibition, and have been designed by Chang from scratch. One highlight of his work is the centrepiece of the exhibition space, featuring a giant human head revealing a MRI scan of a brain when one is in love, or even in the state of addiction — a metaphorical expression of one’s the never-ending passion towards design and creativity.
Exclusive View of Historical Artefacts from the V&A
A thoughtfully curated collection of historical British and French womenswear from the V&A will be displayed as part of the exhibition. The twelve pieces, shown in Hong Kong for the first time, chronicle the fascinating evolution of British and French womenswear fashions from the 1830s to around 1960, and serve as the muse for the six up-and-coming East Asian fashion designers. The emerging designers’ task is to draw inspiration from these exhibits, dissect and re-contextualise their structure, fabric, function, and craft original bespoke couture works that stir nostalgia while exuding a contemporary, innovative and distinctively East Asian sensibility. The process is intended to trace how fashion changes over time as it is a constant amalgamation of various cultures and influences, and to imagine what the future of fashion entails.
“The Love of Couture: Artisanship in Fashion Beyond Time is fully aligned with the V&A’s core mission, to champion design and creativity in all its forms for everyone. We are delighted with this opportunity for the V&A to continue its international engagement strategy in the region and support craftsmanship and creativity. Our collection is renowned for providing inspiration for designers and I am pleased that the collaboration with K11 continues this practice through the creation of new culturally meaningful projects”, said Tim Reeve, Deputy Director and Chief Operating Officer at the V&A.
Emerging Designers Take the Lead
Six promising young fashion visionaries from Japan, China, South Korea and Hong Kong have been commissioned by K11 to create new bespoke designs specifically for the exhibition. Each equipped with a unique outlook and sense of style, these future masters of sartorial art bring a spectacular array of daring looks inspired by the V&A’s collection, giving the audience a great opportunity to rethink the connection between the past, present and future of fashion. These new works will be showcased alongside some of the designers’ existing creations, offering a broader perspective of their creative visions and definitions of couture.
TOMO KOIZUMI, TOMO KOIZUMI (JAPAN)
Hailing from Japan, Tomo Koizumi launched his eponymous fashion brand as an arts major at National Chiba University in the early 2010s. Since then, he has experienced a meteoric rise to become one of Japan’s leading young designers. His signature ruffle designs have been seen on global fashion icons such as Lady Gaga, Miley Cyrus and Bella Hadid.
For the exhibition, he is bringing a new piece that consists of a figure-hugging vest jacket and voluminous skirt constructed with his iconic cascade of colourful ruffles.
RYUNOSUKE OKAZAKI, RYUNOSUKEOKAZAKI (JAPAN)
Ryunosuke Okazaki is a Master’s Degree graduate of Fine Arts at the Tokyo University of the Arts, a finalist of the LVMH Prize 2022 and named in Forbes JAPAN 30 UNDER 30 2022 list. His designs commonly incorporate the concept of prayer as a thematic pillar of his work, with a strong emphasis on form and movement. His avant-garde creations have graced the covers of Dazed and Vogue Japan.
Referencing the silhouettes and embellishments of the V&A exhibits, his visually evocative new dress is intricate yet ethereal, sculptural yet full of motion, and reminiscent of the wonderous creations found in nature.
SENSEN LII, WINDOWSEN (CHINA)
Chinese designer Sensen Lii studied at the Royal Academy of Fine Arts Antwerp and is the founder of fashion brand WINDOWSEN. Despite founding his brand only 3 years ago in 2019, Lii has already built an astonishing clientele featuring Madonna, Rihanna, Katy Perry, Doja Cat, Timothée Chalamet and BLACKPINK, to name a few.
Taking notes from a variety of the V&A’s garments, he presents three brand new designs that blend historical references with his usual performative, dramatic and theatrical designs. They boast contrasting colours and exaggerated shapes, each more dramatic than the last.
CELINE KWAN, CELINE KWAN (HONG KONG)
A fresh graduate of the prestigious Central Saint Martins in London, Hong Kong-born Celine Kwan is the founder and creative director of her eponymous label, with pop juggernaut Lizzo and singer-songwriter Melanie Martinez amongst her clients.
Her new look, inspired by the hourglass silhouette of a 1960s ball gown, is designed to accentuate the waistline and capture the opulence of the era. Meanwhile, the designer puts a whimsical and modern twist to the garment with the use of striking colours, an inflatable skirt and cutting-edge production techniques such as 3D printing.
YUEQI QI, YUEQI QI (CHINA)
Guangzhou-based designer Yueqi Qi majored in knitwear at Central Saint Martins and established her eponymous label in 2019. Her architectural designs, revolving around the idea of deconstructing and reconstructing men’s suits, are characterised by clean lines, sophisticated palettes and mixed use of materials, and are favoured by pop-stars such as FKA Twigs and Lorde.
She has created a four-piece mini collection for the exhibition, each paying homage to a specific exhibit while giving it an unexpected, edgy spin. Straddling the line between refined and rebellious, these metal-embellished gowns are a continuation of Qi’s mission to redefine femininity.
SOHEE PARK, MISS SOHEE (SOUTH KOREA)
A fellow alumna of Central Saint Martins, Sohee Park is a South Korean couturier whose gowns have been worn by such fashion risk-takers as Ariana Grande, Cardi B, Naomi Campbell, Miley Cyrus and BLACKPINK member Lisa.
Turning to her ultra-feminine sensibility to evoke a bygone era of classic beauty, she has crafted an elegant black-and-fuchsia gown with embroidery on the hem, which borrows details from the Yves Saint Laurent Polynésie evening dress, an exhibit from the V&A.
This December, K11 Art & Cultural Centre at K11 MUSEA will transform into a couture wonderland with a fantastic collection of exhibits that charts the trajectory of fashion from the 1830s to the present day and beyond. Come and immerse yourself in the world of history, artisanship and visual splendour, and join us in celebrating the countless reincarnations of impeccable style.
The Love of Couture: Artisanship in Fashion Beyond Time Exhibition
Date: 8 December 2022 – 29 January 2023
Location: 6F, Kunsthalle, K11 Art & Cultural Centre, K11 MUSEA,
18 Salisbury Road, Tsim Sha Tsui
Time: 12PM – 8PM
Admission: HK$150 (General)
HK$75 (Concession – children under the age of 12, students with valid student ID and senior citizens over age 65)
Complimentary guided tours available on a first-come, first-served basis
Get Tickets: www.k11experience.com
Remark: Tickets also available via K11’s appointed ticketing channel – The Club
Hashtag: #K11MUSEA #K11COUTURE #VAMUSEUM #K11NIGHT
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ABOUT WILLIAM CHANG SUK PING
William Chang Suk Ping is a Hong Kong production designer. He is probably best known for his variety of roles, including production designer, costume designer and film editor. He is well-known within the industry for being a highly creative, introverted and modest person. He began drawing and designing at age seven and eventually went to film school in Vancouver, British Columbia, Canada.
In 1980 he got his first job as an art director on the film Love Massacre. Chang created the distinct look of Maggie Cheung in In the Mood for Love. Without the myriad of vintage cheongsam worn by the actress, it is doubtful whether the film would have retained its unique air and charm. Over the years, Chang has garnered more than 20 honours at the Hong Kong Film Awards and Taiwan’s Golden Horse Awards. In 2014, Chang received an 
Academy Award for Best Costume Design nomination for his work on The Grandmaster. He also supervised styling for 2015 the Metropolitan Museum of Art exhibition, China: Through the Looking Glass.
ABOUT THE V&A
The Victoria and Albert Museum, London (V&A) is the world’s leading museum of art, design and performance with collections unrivalled in their scope and diversity, spanning 5,000 years of human creativity. It was established in 1852 to make works of art available to all and to inspire British designers and manufacturers. Today, its purpose is to champion creative industry, inspire the next generation, and spark everyone’s imagination.
ABOUT DR. CLAIRE ALLEN-JOHNSTONE
Dr. Claire Allen-Johnstone is the Project Curator from the V&A. Dr. Claire Allen-Johnstone works on the V&A’s Britain Galleries, 1500–1900 and was part of the editorial team for Silk: Fibre, Fabric and Fashion (Thames & Hudson/V&A, 2021).
ABOUT K11 MUSEA
Hong Kong’s Silicon Valley of Culture, K11 MUSEA, is the latest cultural-retail destination in Victoria Dockside located on the harbourfront of Tsim Sha Tsui. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich new consumers’ daily lives through the power of creativity, culture and innovation. A destination 10 years in the making, K11 MUSEA opened its doors in August 2019 to usher in a new era of cultural-retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
ABOUT K11 GROUP
K11 Group was founded in 2008 by renowned entrepreneur Adrian Cheng. The unique concept brand combines culture and commerce through all of its projects, sustaining an ecosystem that caters to all walks of life with a growing portfolio of brands spanning sectors in Greater China and around the world.
A destination 10 years in the making, the flagship K11 MUSEA is K11 Group’s most ambitious “cultural-retail” development and reinvigorates Hong Kong’s waterfront with Cheng’s vision to create a “Silicon Valley of Culture”, to encourage a deeper look at the interconnectivity between creativity, culture and innovation.
11 SKIES is an upcoming mega project that will create a new landmark in Hong Kong’s Retail, Dining and Entertainment (RDE) industries, as well as in wealth management and wellness services. Set to be the most comprehensive retail and business hub in the Greater Bay Area, 11 SKIES redefines the traveller and consumer experience across a 3.8 million sq ft gross floor area in SKYCITY, strategically located near Hong Kong International Airport and the Hong Kong-Zhuhai-Macao Bridge.
In addition to its K11 Art Malls, K11 Group operates K11 ATELIER as a network of office buildings for the next-generation workforce, alongside K11 ARTUS’s luxury residences for worldly travellers, and K11 Select, which is a “cultural sandbox” for the modern generation, and marked K11 Group’s entry into the asset-light management market. To cultivate cultural richness through its operational goals, the group also proudly runs the Hong Kong non-profit K11 Art Foundation to incubate Chinese artists and curators, and the K11 Craft & Guild Foundation to preserve traditional Chinese crafts and bring them into the future. The group also manages and drives K11 KULTURE ACADEMY as an open education platform and K11 Future Taskforce, a consulting and market research institution.
K11 Group is based in Hong Kong SAR with operations in Greater China and investments in Europe and the US. Through K11 Group, Cheng’s aim is to enrich the daily lives of next-generation consumers and create a new global identity for Chinese millennials, as well as cultivate opportunities for communities to thrive, connect, work and shop. By 2026, K11 Group will have gained a footprint of 38 projects (GFA 2.80 million sq m) in 10 cities across Greater China.
